(From the friendly robot department)

New York Times columnist Frank Rich wrote a very thought-provoking piece discussing how the new Pixar movie may be more in touch with the country and our looming problems than either of the candidates for president.

Sitting among rapt children mostly under 12, I felt as if I’d stepped through a looking glass. This movie seemed more realistically in touch with what troubles America this year than either the substance or the players of the political food fight beyond the multiplex’s walls.

While the real-life grown-ups on TV were again rebooting Vietnam, the kids at “Wall-E” were in deep contemplation of a world in peril — and of the future that is theirs to make what they will of it. Compare any 10 minutes of the movie with 10 minutes of any cable-news channel, and you’ll soon be asking: Exactly who are the adults in our country and who are the cartoon characters?

...“Wall-E” is a robot-meets-robot love story, as simple (and often as silent) as a Keaton or Chaplin fable, set largely in a smoldering and abandoned Earth, circa 2700, where the only remaining signs of life are a cockroach and a single green sprout.

...Humanity is not dead in “Wall-E,” but it is in peril. The world’s population cruises the heavens ceaselessly on a mammoth luxury spaceship that it boarded in the early 22nd century after the planet became uninhabitable. For government, there is a global corporation called Buy N Large, which keeps the public wired to umpteenth-generation iPods and addicted to a diet of supersized liquefied fast food and instantly obsolete products. The people are too bloated to walk — they float around on motorized Barcaloungers — but they are happy shoppers.

Read all of this brilliant column here.

If you have seen "WALL-E", do you agree with the writer's assessment? And if not, what other popular art do you think addresses modern societal challenges?

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